& Rakim, Ultramagnetic MC's, and Public Enemy, groups that prominently featured DJs in their ranks. He worked his way through hip-hop's early years into the heyday of crews like Eric B. The odd white suburban hip-hop fan in the hard rock-dominated early '80s, Davis gravitated toward the turntable/mixer setup of the hip-hop DJ over the guitars, bass, and drums of his peers. Octagon plus the Mo' trip-hop supergroup UNKLE.ĭavis grew up in Hayward, CA, a predominantly lower-middle-class suburb of San Francisco. Mo' Wax released a longer work in 1995 - the 40-minute single in four movements "What Does Your Soul Look Like," which topped the British indie charts - and Davis went on to co-write, remix, and produce tracks for labelmates DJ Krush and Dr. Although he'd already done a scattering of original and production work (during 1991-1992 for Hollywood Records) by the time Mo' Wax's James Lavelle contacted him about releasing "In/Flux" on the fledgling imprint, it wasn't until his association with Mo' Wax that his sound began to mature and cohere. His early singles for the label, including "In/Flux" and "Lost and Found (S.F.L.)," were all-over-the-map mini-masterpieces combining elements of funk, rock, hip-hop, ambient, jazz, soul, and used-bin incidentalia. (FLAC-EAC-CUE)ĭJ Shadow's Josh Davis is widely credited as a key figure in developing the experimental instrumental hip-hop style associated with the London-based Mo' Wax label.
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